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John Garner - Photograph taken by James of Cre8images, 2006. (http://www.cre8images.co.uk)

"THE undoubted highlight of the 24th annual evening of music-making was provided by the talented 15-year-old John Garner. This young violinist, who is West Midland Light Orchestra's youngest member, superbly played the solo part in the theme music from the film Schindler's List..." (This is Kidderminster Nov. 2005)

 

"In the second half the 15-year-old British violinist John Garner played unaccompanied Bach and Ysa˙e excellently...." (Musical Opinion Nov-Dec 2005, review of the Virtuoso Violin Festival)

 

"It was the first occasion for the choir members to hear John Garner and they, like everyone, were thrilled with his command of the instrument..." (The Chronicle, 28th Jan 2005 - review of Tsunami concert)

 

John started playing the violin just before his eighth birthday, with the Birmingham Music Service. By the age of eleven, under the guidance of violin teacher Timothy J. Beilby ABSM GBSM PGCE, John had taken all nine ABRSM grades and passed all with distinctions. At the age of 14, he was awarded his performance diploma from the Royal Schools of Music (Dip ABRSM) with distinction.

His experiences have been wide ranging and some of the more memorable events include workshops with the Coull Quartet and Endellion Quartet, performing at the Young Soloists Concert with Sutton Coldfield Orchestra, being an active member and leader of the West Midlands Light Orchestra, co-leader of the Academy Chamber Orchestra, and  being regional finals winner of the BBC Young MusicianPhotograph taken by James of Cre8images, 2006. (http://www.cre8images.co.uk) of the year 2008.  He has also played in many prestigious venues including Symphony Hall here in Birmingham, the Royal Festival Hall and Royal Albert Hall in London. John is currently continuing his studies with the famous Russian virtuoso Rimma Sushanskaya.

With the recent establishment of the Chamber Orchestra of King Edward's, John and Andrew Browning (founders) have created many opportunities for new (and often experimental!) compositions to be rehearsed and performed.

 
 

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