Welcome back Autumn

And so it is on this grey and dreary day that we welcome back our wandering friend Autumn, with a wan smile and a misty ‘hello’. We bid adieu to the green leaves,  blue skies and sun-stroked picnics of August as we stoke the fire, dust off the stripey scarf and hurry to a warm embrace. Pray we to the glacial god of winter for a white blanket on Christmas, not a blizzardy burial.

What better a way to celebrate today than with a themed album release! Earlier in the year, I worked with composer Louis Mander on this set of original compositions and arrangements, largely inspired by the English folk tradition and, of course, this beautiful country in autumn. It was also the first opportunity I had to bring my new instrument, the ‘Sympolin’, to the outside world. This very special violin, commissioned by me and designed by David Bruce Johnson, is based on the Hardanger fiddle of Norway and the viola d’amore: whilst it plays like a modern violin, it also has 8 sympathetic strings which give it a ghostly, glassy sound.

So, without further ado, please allow me to present to you ‘Autumn Twilight’ (also available in the Discography section):

On the jazz side of life (always look on the jazz side of life), I was very privileged to be invited to play with Tobie Carpenter‘s group ‘The Lobbus’ last week, featuring the incredible emerging talents of Chris Young, Nadim Teimoori, Lluis Mather and Hamish Livingstone. Here’s a little snippet from the beginning of the gig:

June

Yes, I know it’s not June. I was in the studio today with my good friend Clem Rooney recording some electronic jazz covers (coming soon). I had the great privilege of playing on a Violectra (seen below) for the session, kindly on loan to me by Moseley Violins. Violectras are quite simply, in my opinion, the finest electric violins in the world, each lovingly hand-made and personalised.

The final video from the Surrey University December 2011 session is now online! June is an amazing tune by pianist Peter James.

Violectra