Poetry

After over one year of hard work on innumerable people’s behalf, my violin duo Mainly Two has released its first studio recording, Poetry. There are too many people to mention who have had some involvement in this project, but a major thank you goes out to all the composers for their beautiful music and their patient collaboration; to Anna Lawrence for her magical artwork; to the selfless Josh Green for his unceasingly generous hard work in getting these studio recordings sounding as crystalline as possible; and to my wonderful duo partner Marie Schreer for making our work together such a joy. You can listen to the album right here, right now! Follow the links in the player to download (or preferably purchase) your very own copy. Physical copies will be available in the coming months. Poetry features music of a vaguely neo-romantic nature, and is sure to caress your ears, whether you be driving, chilling or heading off to sleep!

 

The follow-up LP, Synergy, will be released in just five day’s time. It features the more contemporary of the compositions, for those of you interested in new sounds and ideas. Keep your eyes peeled!

Meanwhile, I’ve been active in other interesting areas recently. I’m delighted to be working with a talented bunch of artists on a collaborative project called ‘Spun Through Shadows’. It’s a fascinating convergence of music, electronics and dance, all tied together in an immersive performance. We’re giving our premiere on December 6th, and will be reprising several times in 2015. Check out the official website, and the video below, for more information.

My group Project Avartan has been invited to perform at the prestigious Sage Gateshead on December 18th. Having never played there before, I’m over the moon about it. It’s going to be a smashing gig with my talented colleagues Rekesh Chauhan and Alok Verma, so if you’re in the area, grab a ticket and head on over!

Project Avartan @ Gateshead

Recently, I happened to spot myself mentioned in Jazz UK magazine, which is one of the first official indications that I play jazz! It’s a small step for mankind, but a landmark leap for John Garner. See if you can spot me in this interview with radio DJ Tina Edwards.

Jazz UK Tina Edwards interview

I’ve been particularly busy in the studio recently with Emanata, The Future Ancients, The John Garner Quartet and MooK. There’ll be a plethora of new sounds heading your way within a short while. Here’s a shot from my recent recording session at Konk Studios with MooK. Début studio recording on its way!

Mook @ Konk Studios

Lastly, here’s a lovely video by Aesop that The Guastalla Quartet can be heard playing on. We recorded this recently for composer Josephine Stephenson. Enjoy!

The Guild of Artisans from Aesop on Vimeo.

Mainly Two début concert

Here’s some very exciting news (at least for me) fresh off the press. Marie Schreer and I have found a venue for the first concert of our contemporary duo project Mainly Two. Not just any venue either. We’ll be taking over the Norfolk House Music Room in the Victoria & Albert Museum in London, two Friday evenings on the trot. It’s a spectacular place to unleash upon the world this colourful new music for the first time. As well as premiering the new works by some top composers of the moment (over a dozen in total), we’ll be taking a brief stroll into the archives of the violin duo world, exploring some of the repertoire, giving a bit of context to this relatively unknown medium. All very exciting stuff!

Join us on May 2nd and 9th. More details can be found here.

Norfolk House Music Room

 

Louis Mander: Sonata for Violin & Piano

Last Thursday, October 18th, I premiered Louis Mander’s Sonata for Violin & Piano to a very friendly audience at the RCM. It’s a delightful work, full of life and with moments of real poignancy. On stage with me was the very talented Mr Ian Tindale. You can watch the whole performance below.

World première & another video

On October 18th, I will be performing the world premiere of Louis Mander‘s sonata for violin and piano (see Diary for detailed info). Louis is an up-and-coming composer who I was very lucky to work with, albeit briefly, very recently. There are more exciting things further down the line, including a new opera by Louis, bits of which I have already had the fortune to play.

My quartet (Park Quartet) has received a very pleasant review (see page 5) recently in the Anglo-Netherlands Society Newsletter, of all places:

Ably led by Eunsley Park, the Park Quartet opened the evening’s events with Haydn’s Vivace Assai (from a set known as the London Quartets), Debussy’s Clair de Lune and Elgar’s Chanson de Matin. The Park Quartet fully demonstrated the strengths which have led to these third year BMus students being selected to represent the RCM in inter-collegiate competitions.

In other news, here’s the second video I am releasing from my April video session with pianist Clement Rooney. ‘Somebody That I Used To Know’ is an excellent song by Belgian-Australian artist Gotye, featuring Kimbra, and is the first refreshing tune that I have discovered in the top ten for a woefully long time. It’s worth checking out more of this man’s music, my favourite album being ‘Like Drawing Blood’. I hope Clem and I have managed to do him justice.