Get into the groove with this new four-track EP from my superhero soulful group, Emanata. From the afro-influenced Red Grass to the unnervingly dark hip-hop of The Dark One, Blagic Manket could make a fingernail feel funky. Give it a go!
Here’s some very exciting news (at least for me) fresh off the press. Marie Schreer and I have found a venue for the first concert of our contemporary duo project Mainly Two. Not just any venue either. We’ll be taking over the Norfolk House Music Room in the Victoria & Albert Museum in London, two Friday evenings on the trot. It’s a spectacular place to unleash upon the world this colourful new music for the first time. As well as premiering the new works by some top composers of the moment (over a dozen in total), we’ll be taking a brief stroll into the archives of the violin duo world, exploring some of the repertoire, giving a bit of context to this relatively unknown medium. All very exciting stuff!
Join us on May 2nd and 9th. More details can be found here.
A very merry festive greeting to you from South-West Germany, where it is neither snowing nor frosty. In fact, it feels rather similar to London. IN FACT, the last couple of times that I had the fortune of visiting Paris, it rained and rained and rained. There is a weather conspiracy going on. I suggest that we wipe from global consciousness the idea that the UK is a miserable place with miserable weather. We are not alone with our slate skies and soggy socks. But this is a subject for a different blog, a different blogger and another time. Back to business.
The run up to Christmas has reigned upon me one of the busiest times of my life, proving both immensely satisfying and tear-provokingly stressful. However, I have survived and am here to tell the tale to you, faithful reader.
Firstly, it should be noted that new pages now exist on this very website, notably, those of groups The Guastalla Quartet and Emanata. I am very excited to finally be getting these groups out into the public eye. The Guastalla Quartet takes the place of The Park Quartet as my active string quartet, with a fresh line-up and renewed enthusiasm. We are slowly working through our to-do list on the path to global domination: coming soon to a billboard, TV screen, airport advertisement or milk carton near you. Emanata is an entirely different kettle of fish. With a sound fusing jazz, hip-hop, electronica, world music and other things, we are based in the recording studio, capturing the group improvisation and discovery. I am very excited to releasing our first EP on Love Buzz Recordings in a few weeks. We’ve even got superhero alter-egos to go with the music (Emanata is a comic-book term… Google it!). Head over to the dedicated pages in the ‘groups‘ section to find out more.
Another new project that is just about to hit the shelves of your local internet supermarket is ‘Project Avartan’. I’ve teamed up with Indian musicians Rekesh Chauhan and Alok Verma, both powerhouse musicians of impressive repute, to create an unusual new group fusing classical, Indian, jazz and electronic music. We’ve been into the recording studio twice already to record a few demo tunes, which will be released soon. Look out for the soaring vocals of Andri Antoniou featured on one track. Check out our trailer below:
To sum up some smaller bits of exciting news… In November I went into the studio with Greek composer Othon Mataragas to record the solo violin for a track from his forthcoming album ‘Pineal’; keep an eye out for this – it’s going to be worth a listen. We good folks at Polaroid 85 are very pleased to be working not only with record label Reel Me Records, but also with agency Wormfood; 2014 is going to see a massive shake-up in the Polaroid 85 world – watch this space. Good friends of mine, AZEDIA, have just released a new album. If you like electronic music, this is a must – check it out here. Lastly, my jazz quartet were delighted to be invited to play at the Swing Unlimited Jazz Club in Bournemouth recently. We had a great time, quartet and audience alike. We were also very chuffed to see our poster sitting just above another one featuring the Alec Dankworth Trio – jazz royalty! We shall hopefully be back at the SUJC in 2014.
And so, all that is left for me to say is fröhliche weihnachten. Have a wonderful Christmas holiday, and a smashing New Year. Thanks to everyone who has been a part of my life this year; it has been a great one. Bring on 2014!
Congratulations on beating the end of the world. Here’s a dubstep requiem by AZEDIA (released at midnight) on which I am playing solo violin. It’s a corker alright!
Last Thursday, October 18th, I premiered Louis Mander’s Sonata for Violin & Piano to a very friendly audience at the RCM. It’s a delightful work, full of life and with moments of real poignancy. On stage with me was the very talented Mr Ian Tindale. You can watch the whole performance below.
On October 18th, I will be performing the world premiere of Louis Mander‘s sonata for violin and piano (see Diary for detailed info). Louis is an up-and-coming composer who I was very lucky to work with, albeit briefly, very recently. There are more exciting things further down the line, including a new opera by Louis, bits of which I have already had the fortune to play.
My quartet (Park Quartet) has received a very pleasant review (see page 5) recently in the Anglo-Netherlands Society Newsletter, of all places:
Ably led by Eunsley Park, the Park Quartet opened the evening’s events with Haydn’s Vivace Assai (from a set known as the London Quartets), Debussy’s Clair de Lune and Elgar’s Chanson de Matin. The Park Quartet fully demonstrated the strengths which have led to these third year BMus students being selected to represent the RCM in inter-collegiate competitions.
In other news, here’s the second video I am releasing from my April video session with pianist Clement Rooney. ‘Somebody That I Used To Know’ is an excellent song by Belgian-Australian artist Gotye, featuring Kimbra, and is the first refreshing tune that I have discovered in the top ten for a woefully long time. It’s worth checking out more of this man’s music, my favourite album being ‘Like Drawing Blood’. I hope Clem and I have managed to do him justice.